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Laura Love
Folk
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Media, fans and record labels have struggled to define this inimitable musician’s colorful style, which embraces bits of the blues, bluegrass, jazz, folk, gospel, reggae, and country. However, Laura Love has sometimes called her music “Folk-Funk,” “Afro-Celtic,” or “Hip-Alachian.” Regardless of how she is described, Laura has an indisputable and uncanny knack for enthralling audiences from all walks of life, from octogenarians who line up to hear straight-ahead bluegrass to the pierced-and-tattooed set to their middle-aged parents.
The New York Times proclaimed, “Her music is exuberant. … She conveyed the fervor of someone reaching out with an almost frenzied joy to seize the strands of a confusing life and weave them into a coherent, life-affirming vision.” Love has been called “startlingly original” by Billboard magazine. “Her music is spare, yet striking. Her voice is ripe, supple, strong, and impossible to ignore.” A rare recording artist who is authentic and deeply rooted, Love exhibits timeless and diverse appeal. Droves of fans throughout North America, Australia, and Europe apparently agree. Her CDs have repeatedly made Billboard’s annual Top 10 lists. She has played for massive crowds at various festivals and venues, including New York’s Carnegie Hall, San Francisco’s Great American Music Hall, Royce Hall in Los Angeles, Washington Center for the Arts in Olympia, and the Aladdin Theater in Portland, Oregon. Her festival appearances include the Newport Folk Festival (RI), Telluride Bluegrass Festival (CO), Strawberry Festival (CA), Merlefest (NC), Kate Wolf Festival (CA), Falcon Ridge (NY), Boston Folk Festival, Women in e-Motion (Germany), Port Fairy, Brunswick, Blue Mountain and Adelaide Fringe Festivals (Australia), and nearly every music festival in Canada including Montreal Jazz and the Vancouver, Edmonton, Calgary, Mariposa and Winnipeg folk festivals.
- See more at: http://lauralovemusic.com/band_bio/#sthash.FWBEUtPr.dpuf |
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