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It makes perfect sense that an anonymous online music fan has best described what rocker Chris Daughtry's Phoenix-like ascension means to the ever-evolving rock n' roll canon. It's his intensity - notes the insightful blogger - a balm for an ailing industry, writing that Daughtry in a recording studio is akin 'to putting a beat-up violin in the hands of a master.' A 'pure' and 'soulful' balm, with even professional scribes concurring that 'Daughtry dominates,' according to USA Today. 'Homeboy loves to rock' crows Rolling Stone - but if the phenomenal impact and enduring legacy of the double-platinum-and-counting debut of Daughtry means anything - it's how enthusiastically the wandering music listener has embraced rock's new standard bearer.
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